Oil On Canvas, Real Flavor of Old Masters

All Gustaf Lundberg 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
84284  
Bildnis des schwedischen Feldmarschals Frederik Graf von Fersen, Gustaf Lundberg
  		 Bildnis des schwedischen Feldmarschals Frederik Graf von Fersen   18th century Medium Oil on canvas Dimensions 36 x 21 cm (14.2 x 8.3 in) cyf
48835  
Carl Gustaf Tessin, Gustaf Lundberg
  		 Carl Gustaf Tessin   mk187 Paris 1729 Pie 87x67cm
97260  
Portrait of Juliana Dorotea Henck, Gustaf Lundberg
  		 Portrait of Juliana Dorotea Henck   18th century Medium oil on pastel Dimensions 50 X 42 cm cyf
Gustaf Lundberg
Swedish, 1695-1786,Swedish painter and pastellist. He was orphaned early and brought up by his grandfather, the goldsmith Fredrik Richter (1636-1714). In 1710 he was briefly apprenticed to David von Krafft (1655-1724). Against von Krafft's advice, and at his own expense, he travelled to Paris in 1717. He studied first with Hyacinthe Rigaud, Nicolas de Largillierre and Jean-Fran?ois de Troy, learning to paint in a R?gence style less heavy and serious than that taught by von Krafft in Sweden. He also studied drawing under Pierre-Jacques Cazes at the Ecole des Beaux-Arts. In 1720 Rosalba Carriera came to Paris from Italy, bringing with her the fashionable technique of drawing in pastel chalks. Lundberg became her pupil and within a year had mastered the medium, charming the Parisians with his portraits. Until the arrival of Carriera, he had worked only in oils (e.g. the portrait of Gabriel Sack and his Wife Eva Bielke, 1730; priv. col.), but he now turned exclusively to pastels. He received portrait commissions from Louis XV (reg 1715-74), notably for those of his young queen Maria Leszczynska and of her parents Stanislav I Leszczynski and Catherine Opalinska (both 1725; Upplands Vesby, priv. col.), who at that time were living at Chambord. Through the agency of Carl Gustav Tessin, Lundberg was received (re?u) at the Acad?mie Royale de Peinture et de Sculpture in 1741. As his morceaux de reception he executed two portraits of Fran?ois Boucher and Charles-Joseph Nattier, shown at the Salon of 1743.



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